Christ In My Heart, in My Mind, in Ten Thousand Places

THIS ARTICLE WAS FIRST WRITTEN FOR AND PUBLISHED BY BREAKPOINT.

As a kid in church I remember singing, ad nauseam, “I’ve got that joy, joy, joy… where? Down in my heart.” So, one day I prayed that Jesus Christ would come into my life, but then I wondered where he would live. And my childlike theology answered, “Oh, right. Down in my heart.”

As I grew to an adolescent, I asked a Sunday School teacher how I would know God’s will for my life, particularly the important things like whether I should date Lindsay, from the 9th grade, and he told me, “Pray and you’ll know in your heart what God wants you to do.”

Now, it’s easy to poke fun at this kind of thinking, but this focus on my heart as an essential and precious lesson for any young Christian. It is a lesson evangelicalism teaches well in its songs, prayers, preaching, and culture. It’s one I’m grateful to have learned.

Unfortunately, in my context, this lesson was matched with an equal disinterest in anything outside of my heart. The physical stuff around me, for example, was apparently going to hell in a hand-basket, and Christians were just a-passin’ through this world on our way to heaven. We learned that if we turned our eyes on Jesus, the things of earth would “grow strangely dim.”

In other words, by age ten, I was a Christian with a more or less Gnostic understanding of the Christian faith. As I saw it then, my relationship with God belonged to the spiritual, not the physical, world.

Christ In My Mind

Eight years later, I attended a Christian college where I was introduced to Christian thinkers like C.S. Lewis, John Piper, and the Westminster Divines. I experienced a new (and needed) lesson about faith that A.W. Tozer sums up well in his often-quoted line, “What comes into our minds when we think about God is the most important thing about us.”

Majoring in Bible, I took courses on epistemology and theological method, and participated in late-night dorm room discussions on the Five Points of Calvinism. It was invigorating and fresh and I was happy to be exercising these new “muscles” in the mental gymnastics of theology. In fact, this brave, new, intellectual world of Christianity gave my faith a new lease on life, especially since my typically tumultuous adolescent experience had left me cynical of my “heart.”

By the time I got to seminary my heart loved Jesus, and my mind wanted to know Him, but the rest of me, and the rest of the world, was still nowhere to be found in my faith. The gnostic dualism of physical against spiritual was very much alive.

Christ In Ten Thousand Places

Near the end of seminary, I read the late Eugene Peterson’s book, Christ Plays in Ten Thousand Places. The book’s words deeply impacted me. Peterson took his title from this poem by Gerard Manley Hopkins:

I say móre: the just man justices; Keeps grace: thát keeps all his goings graces; Acts in God’s eye what in God’s eye he is — Chríst — for Christ plays in ten thousand places,
Lovely in limbs, and lovely in eyes not his
To the Father through the features of men’s faces.

[To hear a great conversation between Eugene Peterson and Ken Myers about Peterson’s book, go here.]

Also, around this time, I began visiting churches whose liturgies reflected the more embodied theology and practices of the ancient Church. The sensory experiences of liturgical worship matched what I had learned from Peterson: Jesus Christ is not just in my heart and mind; He’s in my body, and in ten thousand other physical places in this world, “Lovely in limbs, and lovely in eyes not his.” Wasn’t this the point of His incarnation?

Altogether, this meant that, finally, for the first time in my Christian life, the existence of the physical world was no longer extra, or mundane, or some kind of danger to my spiritual life. Instead, I realized, it was sacramental, full of the grace and meaning given to it by Christ’s incarnation! All water suddenly became a reminder of my baptism. All bread and all wine were now reminders that God became man to make all things- visible and invisible- new.

In the end, my journey of discovering Christ in ten thousand places found its way into a song. You can hear it below.

Count The Stars: Hope

This article was first written for and published by BreakPoint.

One clear night, I went camping with friends on the banks of the Chickamauga Lake, just down the street from my house when I was a teenager in Tennessee. About one or two in the morning we put a canoe in the water and rowed out into the middle of the lake 150 yards from shore, until our campfire became a tiny dot of orange on the sand.

There, in the middle of the lake, surrounded by darkness and the sound of water splashing up against our canoe, we’d lay back and stare in awe at the millions of stars above our heads, stars that were only visible to us because of the blue, purple, and black darkness of the night sky.

Little-known poet, Sarah Williams, wrote, “I have loved the stars too truly to be fearful of the night.” My song, “Count the Stars,” is a song about this: being too fond of the stars to be afraid of the night. It’s a song about being too fond of God’s promise to surrender to my doubt, too fond of Christian hope to surrender to despair.

“Count the Stars” was written a number of years ago for my church as we studied the darkness, doubt, despair – and hope – of Abraham and Sarah from the book of Genesis. Theirs is a heartbreaking story of infertility, but also one whose promise of hope was declared in the stars lighting the darkness.

Astute Bible readers will note that the entire biblical narrative hangs on whether or not God blesses them with a son. Only through Abraham’s lineage do we get the Messiah. Only through the Messiah do you and I get grafted in to Abraham’s family. In other words, there is a sense in which weare some of the stars God told Abraham to count in Genesis 15!

Back at church, during the sermon series, some close friends of ours were, like Abraham and Sarah, struggling with infertility. Our community watched as Paul and Jessica longed for a child month after month. Amidst the tearful conversations and processing we had with Paul and Jess, one truth hit me the hardest: the emptiness of Jess’ womb was not the worst part of the pain.

The worst part was the hope required of Paul and Jess to continue coming to church, to continue praying, to keep rejoicing with every new expecting mom in our church, and to keep trying – again and again – for a child of their own. Hope was the hardest part.

Hope, according to philosophers like Friedrich Nietzsche and Albert Camus, is absurd, senseless, and stupid; especially religious hope. “Hope,” wrote Nietzsche, “is the worst of all evils because it prolongs the torments of man.”

People with religious hope, Camus said, are like the character of Sisyphusfrom Greek Mythology, a man sentenced by the gods to roll a rock up a hill everyday only to have it tumble back down once he reached the top.

But, their “hope” is not our hope.

Abraham and Sarah’s story in Genesis is paradigmatic of God’s hope-filled way of doing things in the Scriptures. Their story asks us to read the Bible through a kind of hermeneutic of hope.

God seems drawn to human emptiness like a moth to a flame, anxious to fill the widow’s jar with oil, the barren wombs with life, the darkness with light, the wedding jars of Cana with wine, the bellies of the crowds with loaves and fish, and the tomb with resurrection. Against the backdrop of human doubt, God’s glory, like the stars, shines brightest.

May the same be true for us –  that we would see God’s glory, especially in the Promised One, Jesus Christ, shining brighter than our dreams for ourselves.

The Gospel Coalition #TGC19 Playlist

A couple of the hymns I recorded for Come Away From Rush & Hurry made it onto a great playlist the Gospel Coalition put together as a soundtrack to their conference. You can check out the entire playlist here:

Really glad these hymns, “Blest Are The Pure In Heart” and “At The Cross Her Vigil Keeping” are getting some exposure. They have blessed me tremendously. The first time I heard “At The Cross…” was during Lent. We prayed each verse of the hymn in between the Stations of the Cross liturgy. It was as beautiful as it was haunting.

“Blest Are…” is certainly a memorable text but it was the melody that first lodged in my heart and mind. I heard this gem a few years ago for the first time.

Anyway, I’m so grateful to be included on a playlist like this, with so many artists I both listen to and admire. I hope you’ll enjoy and share the playlist on Spotify or Apple Music or wherever you get your tunes!

Here’s the playlist/article from TGC’s website.

JB

Worship & Liturgy: An Interview With The Stone Table Podcast

52 Likes, 0 Comments - Josh Bales (@joshbalesmusic) on Instagram: "Podcasting with @baylife_cc about the different traditions of Christian worship and how I love them..."

Recently had the pleasure of sitting down with my friend, Travis, to talk about Christian worship in all of its variety. It was so. much. fun. You can hear the interview below- and then get more from The Stone Table Podcast- HERE.

LISTEN…

A Song For Eugene Peterson

When I was in seminary I read Eugene Peterson’s book “Christ Plays In Ten Thousand Places” and it deeply impacted me. Peterson took this title from this poem, written by Hopkins.

As kingfishers catch fire, dragonflies draw flame;
As tumbled over rim in roundy wells
Stones ring; like each tucked string tells, each hung bell's
Bow swung finds tongue to fling out broad its name;
Each mortal thing does one thing and the same:
Deals out that being indoors each one dwells;
Selves — goes itself; myself it speaks and spells,
Crying Whát I dó is me: for that I came.

I say móre: the just man justices;
Keeps grace: thát keeps all his goings graces;
Acts in God's eye what in God's eye he is —
Chríst — for Christ plays in ten thousand places,
Lovely in limbs, and lovely in eyes not his
To the Father through the features of men's faces.

Gerard Manley Hopkins: Poems and Prose (Penguin Classics, 1985)

As songwriters tend to do, I gathered up these influences, digested them over a period of weeks, and spit them back out in a song.

I played it last week, at a Clergy Conference, the morning after Eugene died. It was a special thing to be able to offer this song because the speaker for our conference was author and professor, James K.A. Smith, who speaks and writes a great deal on themes of incarnational theology, embodiment, and the like.


You can listen and download it for free right here!



Album Release Day: It's Here!

COME AWAY FROM RUSH & HURRY is here.  

And I am so excited.  You can preview and download it at numerous online retailers but the most popular are:

Bandcamp

iTunes

Spotify

Amazon

Two Ways You Can Help

1. Share, share, share.  Spread the word.  Tell your friends.  Gift the album to folks who might enjoy it but aren't familiar with my music.  

2. Leave a review... whether you pick up the album from Amazon, iTunes, or Bandcamp, tell us what you think!  This helps others know whether or not they'd be interested in downloading the music.

Thank you!

Thanks for supporting my music, and this new project.  (I'm already thinking about the next project).  If you didn't listen to this music- I would still make music but- it would be no fun.  So, your engagement, kind words, support, feedback, makes this part of my vocation so fulfilling.  Thank you from the bottom of my heart.

JB

The story behind the album art for "Come Away From Rush and Hurry"

Saint Mary's Chapel (The "Lady Chapel"), 1950s

Saint Mary's Chapel (The "Lady Chapel"), 1950s

It was a gift to me to have permission to use archived photos of the Cathedral Church of St Luke - Orlando, FL as the artwork for my upcoming album.  The Cathedral is my home parish, my church family, the place I've served since 2015, and the place I was ordained as a Transitional Deacon, and then a Priest.  I love my church.

Cathedral Church of Saint Luke, Front, 1940s

Cathedral Church of Saint Luke, Front, 1940s

It's also the place where I first heard many of the hymns that I recorded for Come Away From Rush and Hurry.  Despite having grown up in the church, singing hymns, I had never heard the likes of, "...and to their longing eyes restored, the Apostles saw their risen Lord..." a great 5th Century Latin text translated by J.M. Neale (a poet, musician, priest, and scholar).  I had never sung at a funeral, or any other service, "The strife is o'er, the battle done, the victory of Christ is won..."  Singing these hymns, directly from worn out hymns books, over the past few years, has been staggeringly awesome, in the true sense of the word.

Cathedral Church of Saint Luke, Inside, 1910s

Cathedral Church of Saint Luke, Inside, 1910s

So, it was very important and meaningful to me to get to utilize images of the Cathedral for the album's artwork.  The building is indelibly connected to the songs themselves, for me.  And, as I've mentioned elsewhere, I did much of the piano tracking inside the Cathedral, after work, when things got quiet. Those were very special recording sessions for me, in such a sacred place.

Get the album: "Come Away From Rush And Hurry"